Karianne Fiorini<\/strong> \u00e9s una arxivista de pel\u00b7l\u00edcules dom\u00e8stiques, conservadora i consultora d’arxius. \u00c9s una de les fundadores de Re-framing Home Movies – Associazione nazionale per la salvaguarda e la valorizzazione dei film di famiglia e delle memorie audiovisive private<\/em>, de la qual \u00e9s presidenta. Des de 2016 ha estat la co-arxivista del projecte d’educaci\u00f3, formaci\u00f3 i producci\u00f3 en xarxa sobre com reutilitzar les col\u00b7leccions de pel\u00b7l\u00edcules dom\u00e8stiques en noves obres d’art anomenat “Re-framing home movies – Residencies in archives”. Va ser una de les fundadores del primer Arxiu Itali\u00e0 de Pel\u00b7l\u00edcules Dom\u00e8stiques. Ha publicat nombrosos articles i assajos en revistes i llibres col\u00b7lectius sobre el tema de les pel\u00b7l\u00edcules dom\u00e8stiques i el cinema amateur.<\/p>\n Gianmarco Torri<\/strong> \u00e9s curador de cinema. Els seus principals interessos s\u00f3n el cinema documental i experimental, les pel\u00b7l\u00edcules dom\u00e8stiques i el cinema amateur, i les seves interseccions. \u00c9s co-comissari del programa \u201cRe-framing home movies\u201d, i \u00e9s cofundador i secretari general de l’associaci\u00f3 italiana del mateix nom. En 2021, per a la Mostra Internazionale del Nuovo Cinema, va editar el llibre electr\u00f2nic Open Access Cinema – Re-thinking Film Curatorship in the Digital Space<\/em>. Ha comissariat programes i tallers de cinema per a festivals i institucions cinematogr\u00e0fiques a It\u00e0lia i a l’estranger i ha publicat articles i assajos en cat\u00e0legs de festivals, ressenyes i volums col\u00b7lectius sobre temes molt diversos com el cinema documental itali\u00e0, el Direct Cinema, el cinema Super8, les pel\u00b7l\u00edcules dom\u00e8stiques i la seva reutilitzaci\u00f3 creativa. \u00c9s membre de INEDITS \/ Amateur Films – Memory of Europe, on tamb\u00e9 \u00e9s secretari general.<\/p>\n <\/p>\n En col\u00b7laboraci\u00f3 amb:<\/p>\n <\/p>\n
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