The philosopher Remedios Zafra, an expert in creativity, will address some of the ideas in her essays The Enthusiasm (Anagrama Essay Prize) and her recent Fragile, on the vulnerability of […]
The self has established itself as a major feature of the new documentary cinema. How does the auteur manifest itself in its interrelationship with reality in contemporary documentary filmmaking? The […]
After years of separation, the filmmaker renews her relationship with her mother, Aïcha, who is now suffering from Alzheimer’s. From Brussels to Tangiers, this is an odyssey of a family […]
A group of people have been gathering for the last eighteen years at a bar in Buenos Aires to read the same book over and over: In Search of Lost […]
But where the danger is, also grows the saving power. This is a sentence by the poet Friedrich Hölderlin that would perfectly define contemporary filmmaking: films speaking about uncertain times, […]
An in-depth analysis of the current situation of documentary filmmaking, where the main agents in Spain and Portugal will share their experiences. In collaboration with ProDocs, the association of documentary […]
Macià and Lau are two brothers born in Menorca, in the heart of the Mediterranean Sea. Now a filmmaker, Macià resides temporarily in the United States, while Lau, the little […]
Single mother Anna and her four children live in the front-line war zone of Donbas, Ukraine. While the outside world is made up of bombings and chaos, the family is […]
On November 3, 1995, the RÃo Tercero Military Munitions Factory, the emblematic industry of my hometown, exploded. Thousands of shells were fired against the city that had produced them. I […]
Siblings Amaia and Aitor are close to turning fifty, do not have children, and since they were young they have lived away from their parents, Kontxi and Iñaki, who are […]
On November 3, 1995, the RÃo Tercero Military Munitions Factory, the emblematic industry of my hometown, exploded. Thousands of shells were fired against the city that had produced them. I […]
