Although nowadays the perilous predominates in independent cinema, the education of our gaze still comes from those great creators of cinematographic forms who masterfully designed the art of mise-en-scène from calculation and control.
The acceptance and integration of chance demarcates the author’s domains in favour of a truth that transcends him and hopes to be revealed through certain cinematographic strategies and mechanisms. Between the education of calculus and the practice of chance, our films are looking for a new identity.
